Lecture Demonstrations

Shakuhachi lecture/demonstrations combine performance with discussion. Lecture topics focus on the instrument, the techniques involved in sound production, the history of the music, notation and study, and concepts of cross-culturalism. Performances of traditional pieces are interspersed throughout the program.

Meditation is a central component of Zen Buddhism, and for centuries, monks known as Komuso (“Priests of Nothingness”) played the shakuhachi as an aid to meditation. The musical repertoire developed by these monks is unique and offers an insight into Zen philosophy. Shakuhachi music also reflects the political and social changes in Japan from the Edo period to the present. As an additional program option, Nyoraku sensei brings student instruments for a hands-on workshop that includes a group lesson, shakuhachi notation, and melodic scale structure.

Instrument

A history of the instrument including its origins in China and development in Japan over the last one thousand years. Sound production and special techniques. How the bamboo is selected and crafted.

History of the Music

The shakuhachi as an instrument of Zen Buddhism. The development of the repertoire over the course of several centuries. The role of the Kumoso (Ronin turned monk) and the oral tradition. Important works and their variations. The role of the Shakuhachi in the Japanese chamber ensemble.

Notation and Study

The development of the notation system over the last 150 years. A lesson on how to read shakuhachi notation, what a typical Japanese music lesson is like, and the different schools of shakuhachi playing.

Cross-culturalism

How does the study of a non-Western musical tradition affect performances of Western music? In what ways have Western musical styles influenced modern Japanese music and visa versa? The globalization of traditions.

James Nyoraku Schlefer

Topics

Instrument

History of the Music

Notation and Study

Cross-culturalism